[Journal of the Simplified Spelling Society, 1994/2 pp27-30 later designated
The Classic Concordance of Cacographic Chaos
Introduced by Chris Upward
A number of readers have been urging republication of The Chaos, the
well-known versified catalogue of English spelling irregularities. The SSS
Newsletter [later designated J3] carried an
incomplete, rather rough version in the summer of 1986 (pp.17-21) under the
heading 'Author Unknown', with a parallel transcription into an early form of Cut
Spelling. Since then a stream of further information and textual variants has come
our way, culminating in 1993-94 with the most complete and authoritative version
ever likely to emerge. The time is therefore now truly ripe for republication in the
Our stuttering progress towards the present version is of interest, as it testifies
to the poem's continuing international impact. Parts of it turned up from the
mid-1980s onwards, with trails leading from France, Canada, Denmark, Germany, the
Netherlands, Portugal, Spain, Sweden and Turkey. The chequered career of the first
version we received was typical: it consisted of a tattered typescript found in a
girls' High School in Germany in 1945 by a British soldier, from whom it passed
through various hands eventually to reach Terry De'Ath, who passed it to the SSS;
but it did not mention who its author was. A rather sad instance of the mystery
that has long surrounded the poem is seen in Hubert A Greven's Elements of
English Phonology, published in Paris in 1972: its introduction quoted 48 lines
of the poem to demonstrate to French students how impossible English is to pronounce
(ie, to read aloud), and by way of acknowledgment said that the author "would
like to pay a suitable tribute to Mr G Nolst Trenité for permission to copy
his poem The Chaos.
As he could not find out his whereabouts, the author presents his warmest
thanks, should the latter happen to read this book". Alas, the poet in
question had died over a quarter of a century earlier.
For the varied materials and information sent us over the years we are
particularly indebted to: Terry De'Ath of Newcastle-upon-Tyne; Tom McArthur (Editor
of English Today) of Cambridge; Benno Jost-Westendorf of Recklinghausen,
Germany; Professor Che Kan Leong of the University of Saskatchewan, Canada; the
Editor of Perfect Your English, Barcelona; and SSS committee member Nick
Atkinson for the French reference. From them we learnt who the author was and that
numerous versions of the poem were in circulation; but many tantalizing questions
Three contributions in 1993-94 then largely filled in the gaps in the picture. The
first of these contributions was due to the diligent research of Belgian SSS member
Harry Cohen of Tervuren which outlined the author's life and told us a good deal
about the successive editions of the poem. The second came from Bob Cobbing of New
River Project, London, who sent the SSS a handsome new edition (ISBN 1 870750 07 1)
he had just published in conjunction with the author's nephew, Jan Nolst
Trenité, who owns the copyright. This edition had been based on the final
version published by the author in his lifetime (1944), and must therefore be
considered particularly authoritative. Finally, Jan Nolst Trenité himself
went to considerable trouble to correct and fill out the details of his uncle's
biography and the poem's publishing history which the SSS had previously been able
The author of The Chaos was a Dutchman, the writer and traveller Dr Gerard
Nolst Trenité. Born in 1870, he studied classics, then law, then political
science at the University of Utrecht, but without graduating (his Doctorate came
later, in 1901). From 1894 he was for a while a private teacher in California, where
he taught the sons of the Netherlands Consul-General. From 1901 to 1918 he worked as
a schoolteacher in Haarlem, and published several schoolbooks in English and French,
as well as a study of the Dutch constitution. From 1909 until his death in 1946 he
wrote frequently for an Amsterdam weekly paper, with a linguistic column under the
The first known version of The Chaos appeared as an appendix
(Aanhangsel) to the 4th edition of Nolst Trenité's schoolbook
Drop Your Foreign Accent: engelsche uitspraakoefeningen (Haarlem: H D Tjeenk
Willink & Zoon, 1920). The book itself naturally used the Dutch spelling current
before the 1947 reform (see JSSS J5 1987/2,
pp14-16). That first version of the poem is entitled De Chaos, and gives
words with problematic spellings in italics, but it has only 146 lines, compared
with the 274 lines we now give (four more than in our 1986 version). The general
importance of Drop your foreign accent is clear from the number of editions
it went through, from the first (without the poem) in 1909, to a posthumous 11th
revised edition in 1961. The last edition to appear during the author's life was the
7th (1944), by which time the poem had nearly doubled its original length. It is not
surprising, in view of the numerous editions and the poem's steady expansion, that
so many different versions have been in circulation in so many different
The Chaos represents a virtuoso feat of composition, a mammoth catalogue of
about 800 of the most notorious irregularities of traditional English orthography,
skilfully versified (if with a few awkward lines) into couplets with alternating
feminine and masculine rhymes. The selection of examples now appears somewhat dated,
as do a few of their pronunciations, indeed a few words may even be unknown to
today's readers (how many will know what a 'studding-sail' is, or that its nautical
pronunciation is 'stunsail'?), and not every rhyme will immediately 'click' ('grits'
for 'groats'?); but the overwhelming bulk of the poem represents as valid an
indictment of the chaos of English spelling as it ever did. Who the 'dearest
creature in creation' addressed in the first line, also addressed as 'Susy' in line
5, might have been is unknown, though a mimeographed version of the poem in Harry
Cohen's possession is dedicated to 'Miss Susanne Delacruix, Paris'. Presumably she
was one of Nolst Trenité's students.
Readers will notice that The Chaos is written from the viewpoint of the
foreign learner of English: it is not so much the spelling as such that is lamented,
as the fact that the poor learner can never tell how to pronounce words encountered
in writing (the poem was, after all, appended to a book of pronunciation
With English today the prime language of international communication, this
unpredictability of symbol-sound correspondence constitutes no less of a problem
than the unpredictability of sound-symbol correspondence which is so bewailed by
native speakers of English. Nevertheless, many native English-speaking readers will
find the poem a revelation: the juxtaposition of so many differently pronounced
parallel spellings brings home the sheer illogicality of the writing system in
countless instances that such readers may have never previously noticed.
It would be interesting to know if Gerard Nolst Trenité, or anyone else, has
ever actually used The Chaos to teach English pronunciation, since the tight
rhythmic and rhyming structure of the poem might prove a valuable mnemonic aid.
There could be material for experiments here: non-English-speaking learners who had
practised reading parts of the poem aloud could be tested in reading the same
problematic words in a plain prose context, and their success measured against a
control group who had not practised them thru The Chaos.
Gerard Nolst Trenité.
This version is essentially the author's own final text, as also published by New
River Project in 1993. A few minor corrections have however been made, and
occasional words from earlier editions have been preferred. Following earlier
practice, words with clashing spellings or pronunciations are here printed in
Dearest creature in creation
Studying English pronunciation,
I will teach you in my verse
Sounds like corpse, corps, horse and worse.
I will keep you, Susy, busy,
Make your head with heat grow dizzy;
Tear in eye, your dress you'll tear;
Queer, fair seer, hear my prayer.
Pray, console your loving poet,
Make my coat look new, dear, sew it! 10
Just compare heart, hear and heard,
Dies and diet, lord and word.
Sword and sward, retain and Britain
(Mind the latter how it's written).
Made has not the sound of bade,
Say - said, pay - paid, laid but plaid.
Now I surely will not plague you
With such words as vague and ague,
But be careful how you speak,
Say: gush, bush, steak, streak, break, bleak, 20
Previous, precious, fuchsia, via
Recipe, pipe, studding-sail, choir;
Woven, oven, how and low,
Script, receipt, shoe, poem, toe.
Say, expecting fraud and trickery:
Daughter, laughter and Terpsichore,
Branch, ranch, measles, topsails, aisles,
Missiles, similes, reviles.
Wholly, holly, signal, signing,
Same, examining, but mining, 30
Scholar, vicar, and cigar,
Solar, mica, war and far.
From "desire": desirable - admirable from "admire",
Lumber, plumber, bier, but brier,
Topsham, brougham, renown, but known,
Knowledge, done, lone, gone, none, tone,
One, anemone, Balmoral,
Kitchen, lichen, laundry, laurel.
Gertrude, German, wind and wind,
Beau, kind, kindred, queue, mankind, 40
Tortoise, turquoise, chamois-leather,
Reading, Reading, heathen, heather.
This phonetic labyrinth
Gives moss, gross, brook, brooch, ninth, plinth.
Have you ever yet endeavoured
To pronounce revered and severed,
Demon, lemon, ghoul, foul, soul,
Peter, petrol and patrol?
Billet does not end like ballet;
Bouquet, wallet, mallet, chalet. 50
Blood and flood are not like food,
Nor is mould like should and would.
Banquet is not nearly parquet,
Which exactly rhymes with khaki.
Discount, viscount, load and broad,
Toward, to forward, to reward,
Ricocheted and crocheting, croquet?
Right! Your pronunciation's OK.
Rounded, wounded, grieve and sieve,
Friend and fiend, alive and live. 60
Is your R correct in higher?
Keats asserts it rhymes with Thalia.
Hugh, but hug, and hood, but hoot,
Buoyant, minute, but minute.
Say abscission with precision,
Now: position and transition;
Would it tally with my rhyme
If I mentioned paradigm?
Twopence, threepence, tease are easy,
But cease, crease, grease and greasy? 70
Cornice, nice, valise, revise,
Rabies, but lullabies.
Of such puzzling words as nauseous,
Rhyming well with cautious, tortious,
You'll envelop lists, I hope,
In a linen envelope.
Would you like some more? You'll have it!
Affidavit, David, davit.
To abjure, to perjure. Sheik
Does not sound like Czech but ache. 80
Liberty, library, heave and heaven,
Rachel, loch, moustache, eleven.
We say hallowed, but allowed,
People, leopard, towed but vowed.
Mark the difference, moreover,
Between mover, plover, Dover.
Leeches, breeches, wise, precise,
Chalice, but police and lice,
Camel, constable, unstable,
Principle, disciple, label. 90
Petal, penal, and canal,
Wait, surmise, plait, promise, pal,
Suit, suite, ruin. Circuit, conduit
Rhyme with "shirk it" and "beyond it",
But it is not hard to tell
Why it's pall, mall, but Pall Mall.
Muscle, muscular, gaol, iron,
Timber, climber, bullion, lion,
Worm and storm, chaise, chaos, chair,
Senator, spectator, mayor, 100
Ivy, privy, famous; clamour
Has the A of drachm and hammer.
Pussy, hussy and possess,
Desert, but desert, address.
Golf, wolf, countenance, lieutenants
Hoist in lieu of flags left pennants.
Courier, courtier, tomb, bomb, comb,
Cow, but Cowper, some and home.
"Solder, soldier! Blood is thicker",
Quoth he, "than liqueur or liquor", 110
Making, it is sad but true,
In bravado, much ado.
Stranger does not rhyme with anger,
Neither does devour with clangour.
Pilot, pivot, gaunt, but aunt,
Font, front, wont, want, grand and grant.
Arsenic, specific, scenic,
Relic, rhetoric, hygienic.
Gooseberry, goose, and close, but close,
Paradise, rise, rose, and dose. 120
Say inveigh, neigh, but inveigle,
Make the latter rhyme with eagle.
Mind! Meandering but mean,
Valentine and magazine.
And I bet you, dear, a penny,
You say mani-(fold) like many,
Which is wrong. Say rapier, pier,
Tier (one who ties), but tier.
Arch, archangel; pray, does erring
Rhyme with herring or with stirring? 130
Prison, bison, treasure trove,
Treason, hover, cover, cove,
Perseverance, severance. Ribald
Rhymes (but piebald doesn't) with nibbled.
Phaeton, paean, gnat, ghat, gnaw,
Lien, psychic, shone, bone, pshaw.
Don't be down, my own, but rough it,
And distinguish buffet, buffet;
Brood, stood, roof, rook, school, wool, boon,
Worcester, Boleyn, to impugn. 140
Say in sounds correct and sterling
Hearse, hear, hearken, year and yearling.
Evil, devil, mezzotint,
Mind the z! (A gentle hint.)
Now you need not pay attention
To such sounds as I don't mention,
Sounds like pores, pause, pours and paws,
Rhyming with the pronoun yours;
Nor are proper names included,
Though I often heard, as you did, 150
Funny rhymes to unicorn,
Yes, you know them, Vaughan and Strachan.
No, my maiden, coy and comely,
I don't want to speak of Cholmondeley.
No. Yet Froude compared with proud
Is no better than McLeod.
But mind trivial and vial,
Tripod, menial, denial,
Troll and trolley, realm and ream,
Schedule, mischief, schism, and scheme. 160
Argil, gill, Argyll, gill. Surely
May be made to rhyme with Raleigh,
But you're not supposed to say
Piquet rhymes with sobriquet.
Had this invalid invalid
Worthless documents? How pallid,
How uncouth he, couchant, looked,
When for Portsmouth I had booked!
Zeus, Thebes, Thales, Aphrodite,
Paramour, enamoured, flighty, 170
Acquiesce, and obsequies.
Please don't monkey with the geyser,
Don't peel 'taters with my razor,
Rather say in accents pure:
Nature, stature and mature.
Pious, impious, limb, climb, glumly,
Worsted, worsted, crumbly, dumbly,
Conquer, conquest, vase, phase, fan,
Wan, sedan and artisan. 180
The TH will surely trouble you
More than R, CH or W.
Say then these phonetic gems:
Thomas, thyme, Theresa, Thames.
Thompson, Chatham, Waltham, Streatham,
There are more but I forget 'em -
Wait! I've got it: Anthony,
Lighten your anxiety.
The archaic word albeit
Does not rhyme with eight - you see it; 190
With and forthwith, one has voice,
One has not, you make your choice.
Shoes, goes, does . Now first say: finger;
Then say: singer, ginger, linger.
Real, zeal, mauve, gauze and gauge,
Marriage, foliage, mirage, age,
Hero, heron, query, very,
Parry, tarry, fury, bury,
Dost, lost, post, and doth, cloth, loth,
Job, Job, blossom, bosom, oath. 200
Faugh, oppugnant, keen oppugners,
Bowing, bowing, banjo-tuners
Holm you know, but noes, canoes,
Puisne, truism, use, to use?
Though the difference seems little,
We say actual, but victual,
Seat, sweat, chaste, caste, Leigh, eight, height,
Put, nut, granite, and unite
Reefer does not rhyme with deafer,
Feoffer does, and zephyr, heifer. 210
Dull, bull, Geoffrey, George, ate, late,
Hint, pint, senate, but sedate.
Gaelic, Arabic, pacific,
Science, conscience, scientific;
Tour, but our, dour, succour, four,
Gas, alas, and Arkansas.
Say manoeuvre, yacht and vomit,
Next omit, which differs from it
Bona fide, alibi
Gyrate, dowry and awry. 220
Sea, idea, guinea, area,
Psalm, Maria, but malaria.
Youth, south, southern, cleanse and clean,
Doctrine, turpentine, marine.
Compare alien with Italian,
Dandelion with battalion,
Rally with ally; yea, ye,
Eye, I, ay, aye, whey, key, quay!
Say aver, but ever, fever,
Neither, leisure, skein, receiver. 230
Never guess - it is not safe,
We say calves, valves, half, but Ralf.
Starry, granary, canary,
Crevice, but device, and eyrie,
Face, but preface, then grimace,
Phlegm, phlegmatic, ass, glass, bass.
Bass, large, target, gin, give, verging,
Ought, oust, joust, and scour, but scourging;
Ear, but earn; and ere and tear
Do not rhyme with here but heir. 240
Mind the O of off and often
Which may be pronounced as orphan,
With the sound of saw and sauce;
Also soft, lost, cloth and cross.
Pudding, puddle, putting. Putting?
Yes: at golf it rhymes with shutting.
Respite, spite, consent, resent.
Liable, but Parliament.
Seven is right, but so is even,
Hyphen, roughen, nephew, Stephen, 250
Monkey, donkey, clerk and jerk,
Asp, grasp, wasp, demesne, cork, work.
A of valour, vapid, vapour,
S of news (compare newspaper),
G of gibbet, gibbon, gist,
I of antichrist and grist,
Differ like diverse and divers,
Rivers, strivers, shivers, fivers.
Once, but nonce, toll, doll, but roll,
Polish, Polish, poll and poll. 260
Pronunciation - think of Psyche! -
Is a paling, stout and spiky.
Won't it make you lose your wits
Writing groats and saying 'grits'?
It's a dark abyss or tunnel
Strewn with stones like rowlock, gunwale,
Islington, and Isle of Wight,
Housewife, verdict and indict.
Don't you think so, reader, rather,
Saying lather, bather, father? 270
Finally, which rhymes with enough,
Though, through, bough, cough,
hough, sough, tough??
Hiccough has the sound of sup...
My advice is: GIVE IT UP!
 No, you're wrong. This is the plural of doe.